Taking the pattern design of Tujia brocade as an example, this study demonstrates the use of genetic algorithms for pattern design based on user preferences. Tujia brocade, as an important carrier of Tujia ethnic culture and art in China, is one of the national intangible cultural heritage items. However, through traditional design methods, designers often spend a considerable amount of time researching matching patterns. In interactive genetic algorithms, designers can rapidly process combinations and patterns on a computer, providing numerous design options based on user preferences in a short period. Designers use interactive genetic algorithms to select the most elite combinations and then integrate new design concepts and contemporary values into the inherent meaning of ethnic patterns. This promotes cultural innovation and inheritance in pattern design, offering new methods and broadening perspectives for designers. It contributes to enhancing cultural identity in pattern design.
This paper mainly studies the application of interactive concept in food packaging design. From the perspective of participation, fun and technology of food packaging, the case analysis method is used to explain how to perfectly combine the interactive design concept with food packaging design. Finally, it is found that the application of interactive concept in food packaging can not only innovate modern food packaging design, but also bring people a unique visual image and appropriate humanistic care.
In the 1990s, the computerized Chinese input and output of the "light and power" technology revolution, and the integration of computer graphics technology have completely changed Chinese font art and brought new changes and challenges to Chinese font design. The article describes hand-painted art characters to computer input and computer-generated fonts, explores electronic screen flowing fonts to multimedia presentation of three-dimensional dynamic Chinese font image forms. The evolution of Chinese font design is progressive and stable, and has formed a large number of practical works and some theoretical research results, which are sorted out, analyzed, refined and explained to provide material for future Chinese font design research.
Digital media technology contributes to the realization of the innovation of the graphic design of Chinese characters. From the two aspects of the artistic expression characteristics of virtual reality and the image design of virtual interactive Chinese characters, this paper discusses the forms and methods of image design of Chinese characters in virtual reality, and discusses the multi-dimensional, animated and flowing image design of Chinese characters, which includes light, color, time and movement, sound and virtual interactive elements. In this work, the virtual world constructed by digital media technology is summarized, which provides a virtual Chinese character image scene for Chinese character design. In addition, Chinese character strokes are broken up and grafted into a new virtual space effect, which enables designers and viewers to resonate through game interaction.
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