Paper
8 March 2011 A framework for analysis of large database of old art paintings
Jérome Da Rugna, Gaël Chareyron, Ruven Pillay, Morwena Joly
Author Affiliations +
Proceedings Volume 7869, Computer Vision and Image Analysis of Art II; 786907 (2011) https://doi.org/10.1117/12.872500
Event: IS&T/SPIE Electronic Imaging, 2011, San Francisco Airport, California, United States
Abstract
For many years, a lot of museums and countries organize the high definition digitalization of their own collections. In consequence, they generate massive data for each object. In this paper, we only focus on art painting collections. Nevertheless, we faced a very large database with heterogeneous data. Indeed, image collection includes very old and recent scans of negative photos, digital photos, multi and hyper spectral acquisitions, X-ray acquisition, and also front, back and lateral photos. Moreover, we have noted that art paintings suffer from much degradation: crack, softening, artifact, human damages and, overtime corruption. Considering that, it appears necessary to develop specific approaches and methods dedicated to digital art painting analysis. Consequently, this paper presents a complete framework to evaluate, compare and benchmark devoted to image processing algorithms.
© (2011) COPYRIGHT Society of Photo-Optical Instrumentation Engineers (SPIE). Downloading of the abstract is permitted for personal use only.
Jérome Da Rugna, Gaël Chareyron, Ruven Pillay, and Morwena Joly "A framework for analysis of large database of old art paintings", Proc. SPIE 7869, Computer Vision and Image Analysis of Art II, 786907 (8 March 2011); https://doi.org/10.1117/12.872500
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KEYWORDS
Databases

Photography

Image processing

Ultraviolet photography

X-rays

Infrared photography

X-ray imaging

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